| Descrizione |
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Nota
| Notis musicalibus instructa. |
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Nota
| Codex tribus manibus scriptus est; prima manus fere totum, secunda ff. 31v-38r. 219v-224r. 246v-248v; tertia f. 49. In f. 83v Hexameter: "Omnia vincit amor et nos cedamus amori" cum litteris initialibus fortasse manu scribae: A. P. F. In f. 67v calamo delineata Sirena; in f. 80v canis erectus; in f. 91v et 100v caput humanum. Ff. 32r. 35v-37r. 214r. 239r. 249r vacua. Mentionem fecit huius codicis Haberl, 1. cit., p. 75 sq. |
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Nota di bibliografia
| Cumming, Julie E., The Motet in the Age of Dufay (Cambridge, 2003). |
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Nota di bibliografia
| Hamm, C., Chronology of the Works of Guillaume Dufay (Princeton, 1964). |
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Nota di bibliografia
| Hamm, C., ‘The Manuscript San Pietro B80’, in Revue Belge de Musicologie / Belgisch Tijdschrift voor Muziekwetenschap 14 (1960), 40-55. |
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Nota di bibliografia
| Higgins, Paula (ed.), Antoine Busnoys: Method, Meaning, and Context in Late Medieval Music (Oxford, 1999). |
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Nota di bibliografia
| Natvig, Mary, ‘The Magnificat Group of Antoine Busnoys’, in Paula Higgins (ed.), Antoine Busnoys: Method, Meaning, and Context in Late Medieval Music (Oxford, 1999), 257-76. |
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Nota di bibliografia
| Planchart, Alejandro E., Guillaume Du Fay: The Life and Works (Cambridge, 2018). |
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Nota di bibliografia
| Planchart, Alejandro E., Guillaume Dufay's Masses: A View of the Manuscript Traditions. Papers read at the Dufay Quincentenary Conference, Brooklyn College, December 6-7 (Brooklyn, 1974), 26-60 and 150-1, esp. 44-48 and 151. |
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Nota di bibliografia
| Reynolds, C. (ed.), Papal Patronage and the Music of St. Peter's, 1380-1513 (Berkeley, 1995). |
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Nota di bibliografia
| Reynolds, C. (ed.), Vatican City, Biblioteca Apostolica Vaticana, MS San Pietro B 80, Renaissance Music in Facsimile 23 (New York, 1986). |
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Nota di bibliografia
| Reynolds, C., 'The Music Chapel at San Pietro in Vaticano in the Later fifteenth Century' (Ph.D. diss., Princeton University, 1982). |
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Nota di bibliografia
| Reynolds, C., ‘The Origins of San Pietro b 80 and the Development of a Roman Sacred Repertory’, in Early Music History 1 (1981), 257-304. |
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Nota di bibliografia
| Wegman, Rob C., ‘Miserere supplicanti Dufay: The Creation and Transmission of Guillaume Dufay’s Missa Ave regina celorum’, in The Journal of Musicology 13 (1995), 18-54. |
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Nota di bibliografia
| Wegman, Rob C., ‘Petrus de Domarto's Missa Spiritus almus and the Early History of the Four-Voice Mass in the Fifteenth Century’, in Early Music History 10 (1991), 235–303. |
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Nota di bibliografia
| Wegman, Rob C., ‘Petrus de Domarto's Missa Spiritus almus and the Early History of the Four-Voice Mass in the Fifteenth Century’, in Early Music History 10 (1991), 235–303. |
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Nota di bibliografia
| Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1500 (Renaissance Manuscript Studies 1) (Neuhausen-Stuttgart, 1979-88), IV, p. 66-67. |
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