| Descrizione |
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Nota
| Scriba: Johannes Parvus e.a. |
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Nota di bibliografia
| Anderson, Michael A., 'The one who comes after me: John the Baptist, Christian Time, and symbolic techniques', in Journal of the American Musicological Society 66 (2013), 639-708. |
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Nota di bibliografia
| Boorman, Stanley, Ottaviano Petrucci: A Catalogue Raisonné (Oxford, 2006). |
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Nota di bibliografia
| Brauner, Mitchell P., 'The Catalogue of Raffaele Panuzzi and the Repertory of the Papal Chapel in the 15th and 16th Centuries', in The Journal of Musicology 8 (1990), 427-43. |
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Nota di bibliografia
| Brauner, Mitchell P., 'The Parvus Manuscripts: A Study of Vatican Polyphony, ca. 1535 to 1580' (Ph.D. diss., Brandeis University, 1982). |
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Nota di bibliografia
| Busse Berger, A.M. and Rodin, J. (ed.), The Cambridge History of Fifteenth-Century Music (Cambridge University Press, 2015). |
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Nota di bibliografia
| Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1500, Neuhausen-Stuttgart, 1979-1988 [Renaissance Manuscript Studies, 1], IV, pp. 56-57. |
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Nota di bibliografia
| Feininger, L. K. (ed.), 'De Orto's "Missa L'homme armé" from VatS 64', in Monumenta Polyphoniae Liturgicae Sanctae Ecclesiae Romanae, Series 1, vol. 1, fascicle 7 (Rome, 1948). |
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Nota di bibliografia
| Grafinger, Christina M., 'Die Musikhandschriften des Archivs der Cappella Pontificia und ihre Entlehnung im 19. Jahrundert', in Nuovi annali della Scuola speciale per archivisti e bibliotecari 9 (1995), 45-54. |
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Nota di bibliografia
| Haar, J., 'Palestrina as Historicist: The Two L'homme armé Masses', in Journal of the Royal Musical Association 121/2 (1996), 191-205. |
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Nota di bibliografia
| Keil, Klaus, 'Die Texte der Motetten in den Handschriften von Johannes Parvus, Schreiber der Capella Sistina zwischen 1535 und 1580', in Joerg O. Fichte et al (ed.), Zusammenhänge, Einflüsse, Wirkungen. Kongressakten zum ersten Symposium des Mediävistenverbandes in Tübingen, 1984 (Berlin, 1986), 196-210. |
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Nota di bibliografia
| Llorens Cisteró, José M., Capellae Sixtinae Codices (Città del Vaticano, 1960). |
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Nota di bibliografia
| Marshall, R., 'The Paraphrase Technique of Palestrina in His Masses Based on Hymns', in Journal of the American Musicological Society 16/3 (1963), 347-72. |
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Nota di bibliografia
| Miller, Ronald L., 'The Musical Works of Marbriano de Orto: Transcription and Commentary' (Ph.D. diss, Indiana University, 1974). |
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Nota di bibliografia
| Répertoire International des Sources Musicales (RISM https://rism.info, ID 857000049) |
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Nota di bibliografia
| Rodin, Jesse, Josquin's Rome: Hearing and Composing in the Sistine Chapel (Oxford, 2012). |
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Nota di bibliografia
| Rodin, Jesse, 'Unresolved', in Music & Letters 90/4 (2009), 535-54. |
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Nota di bibliografia
| Rodin, Jesse, 'When in Rome...: What Josquin Learned in the Sistine Chapel', in Journal of the American Musicological Society 61 (2008), 307-72. |
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Nota di bibliografia
| Schlagel, Stephanie P., 'The Sequential Ostinato in the Music of Josquin and His Circle' (Ph.D. diss, University of North Carolina at Chapel Hill, 1991). |
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