| Descrizione |
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Nota di bibliografia
| Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1500 (Renaissance Manuscript Studies 1) (Neuhausen-Stuttgart, 1979-88), IV, p. 12-13. |
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Nota di bibliografia
| Ceulemans, Anne-Emmanuelle, 'Les Messes L'Homme Armé De Josquin Des Prez', in Musurgia 7 (2000), 29-43. |
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Nota di bibliografia
| Duffin Ross W., 'Mi chiamano Mimi ...but my name is Quarti toni: Solmization and Ockeghem's famous Mass', in Early Music 29/2 (2001), 164–85. |
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Nota di bibliografia
| Fallows, D., Josquin (Epitome musical 47) (Turnhout, 2009). |
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Nota di bibliografia
| Fitch, F., Johannes Ockeghem: Masses and Models (Collection Ricercar 2) (Paris, 1997). |
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Nota di bibliografia
| Higgins, Paula (ed.), Antoine Busnoys: Method, Meaning, and Context in Late Medieval Music (Oxford, 1999). |
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Nota di bibliografia
| Howard, Daniel Ross, 'Elements of narrative in the masses of Loyset Compère' (Master's thesis, Iowa University, 2010). |
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Nota di bibliografia
| Hudson, B. (ed.), Antoine Brumel: Opera Omnia (Corpus Mensurabilis Musicae 5) (Neuhausen-Stuttgart, 1969-72). |
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Nota di bibliografia
| Kellman, H. (ed.), The Treasury of Petrus Alamire. Music and Art in Flemish Court Manuscripts 1500-1535 (Ghent-Amsterdam, 1999), esp. no 33, p. 125-29. |
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Nota di bibliografia
| Kellman, H., 'The Origins of the Chigi Codex: The Date, Provenance, and Original Ownership of Rome, Biblioteca Vaticana, Chigiana, C. VIII. 234', in Journal of the American Musicological Society 11/1 (1958), 6-19. |
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Nota di bibliografia
| Kempster, William G., Pierre de la Rue's Missa Pourquoy non: Consolidating the Case for Re-Evaluation through Motivic Analysis, paper presented at the Pierre de la Rue Conference in Mechelen, Belgium, 2018. (online) |
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Nota di bibliografia
| Kempster, William G., 'Pierre de la Rue's "Missa Pourquoy non": A Case for Re-Evaluation', in The Choral Scholar (online journal of the National Collegiate Choral Organisation) 5/2 (2016), 27-44. |
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Nota di bibliografia
| Kempson, Emma C., 'The Motets of Henricus Isaac (c.1450-1517): Transmission, Structure and Function' (Ph.D. diss., King's College, London, 1998). |
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Nota di bibliografia
| Lindenburg, Cornelis W.H. (ed.), Johannes Regis: Opera Omnia (Corpus Mensurabilis Musicae 9) (s. l., 1956). |
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Nota di bibliografia
| Lindmayr-Brandl, A. and Kolb, P. (ed), Gaspar van Weerbeke: New Perspectives on his Life and Music (Turnhout, 2019). |
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Nota di bibliografia
| Meconi, H., Pierre de la Rue and Musical Life at the Habsburg-Burgundian Court (Oxford-New York, 2003). |
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Nota di bibliografia
| Pavanello, A., 'Stabat mater / Vidi speciosam: Some Considerations on the Origin and Dating of Gaspar Van Weerbeke's Motet in the Chigi Codex', in Tijdschrift Van De Koninklijke Vereniging Voor Nederlandse Muziekgeschiedenis 60 (2010), 3-19. |
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Nota di bibliografia
| Rodin, J., Josquin's Rome: Hearing and Composing in the Sistine Chapel (Oxford, 2012). |
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Nota di bibliografia
| Saunders, Z., 'Manuscripts in the Age of Print: Production, Function and Destinations of the Alamire Manuscripts', in H. Wijsman (ed.), Books in Transition at the Time of Philip the Fair. Manuscripts and Printed Books in the Late Fifteenth and Early Sixteenth Century Low Countries (Burgundica, XV) (Turnhout, 2010), 181-212. |
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Nota di bibliografia
| Winkler, H.-J., 'Studien zu den Tenormotetten von Johannes Regis nebst einer kritischer Edition des Motettencorpus der Handschrift Rom, Biblioteca Apostolica Vaticana, Fondo Chigi C VIII 234' (Ph.D. diss., University of Heidelberg, 1993). |
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