Description |
General note
| Copiato a Napoli? Ferrara?
|
Bibliography
| Bergsagel, John D., ‘Tinctoris and the Vatican Manuscripts Cappella Sistina 14, 51 and 35’, Collectanea II. Studien zur Geschichte der Päpstlichen Kapelle. Tagesbericht Heidelberg 1989 (Capellae Apostolicae Sistinaeque Collectanea Monumenta 4) (Città del Vaticano, 1994), 497–527. |
Bibliography
| Burkholder, J. Peter, 'Johannes Martini and the Imitation Mass of the Late Fifteenth Century', in Journal of the American Musicological Society 38 (1985), 470-523. |
Bibliography
| Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1500, Neuhausen-Stuttgart, 1979-1988 [Renaissance Manuscript Studies, 1], I, p. 93, IV, p. 28. |
Bibliography
| Christoffersen, Peter Woetmann, 'Experiment in Musical Unity, or: The Sheer Joy of Sound: The Anonymus Sine nomine Mass in MS Cappella Sistina 14', in Danish Yearbook of Musicology 42 (2018), 54-78. |
Bibliography
| Christoffersen, Peter Woetmann, The Anonymus Sine nomine Mass in MS Cappella Sistina 14 [score] (Internet publication, 2018). |
Bibliography
| Curtis, Gareth R. K. and Wathey, Andrew B., 'Fifteenth-Century English Liturgical Music: A List of the Surviving Repertory', in Royal Musical Association Research Chronicle 27 (1994), 1-69. |
Bibliography
| Davis, B. E. (ed.), The Collected Works of Vincenet (Madison, WI, 1978). |
Bibliography
| Davis, B. E., 'The Works of Johannes Vincenet' (Ph.D. diss, University of North Carolina, 1960). |
Bibliography
| Dean, Jeffrey J., 'The Scribes of the Sistine Chapel 1501-1527' (Ph.D. diss, University of Chicago, 1984). |
Bibliography
| Eakins, Rex (ed.), The Complete Extant Transmissions of the Masses by Guillaume Faugues [score with Introduction by Jason Stoessel] (Lions Bay, Canada, 2015-16). |
Bibliography
| Feininger, Lawrence K. (ed.), Monumenta Polyphoniae Liturgicae Sanctae Ecclesiae Romanae, Series I: Ordinarium missae and Series II: Proprium missae (Rome, 1947-48). |
Bibliography
| Josephson, Nors S. (ed.), Early Sixteenth-Century Sacred Music from the Papal Chapel (Corpus Mensurabilis Musicae 95) (Neuhausen-Stuttgart, 1982). |
Bibliography
| Lindenburg, Cornelis W. H. (ed.), Johannes Regis: Opera Omnia (Corpus Mensurabilis Musicae 9) (s. l., 1956). |
Bibliography
| Llorens Cisteró, José M., Capellae Sixtinae Codices (Città del Vaticano, 1960). |
Bibliography
| Plamenac, D., 'Review of Monumentos de la Musica Espanola, I', in The Musical Quarterly 34 (1948), 289-93. |
Bibliography
| Planchart, Alejandro E., Fifteenth-Century Masses: Notes on Performance and Chronology', in Studi musicali 10 (1981), 3-29. |
Bibliography
| Reynolds, C., 'The Music Chapel at San Pietro in Vaticano in the Later fifteenth Century' (Ph.D. diss., Princeton University, 1982). |
Bibliography
| Répertoire International des Sources Musicales (Rism, https://rism.info, ID 857000003) |
Bibliography
| Rossi, Francesco R., 'Faugues a Napoli, ovvero "la quadrangolazione delle fonti"', in Gli spazzi della musica 5/2 (2016), 1-16. |
Bibliography
| Roth, A., Studien zum frühen Repertoire de Päpstlichen Kapelle unter dem Pontifikat Sixtus' IV. (1471-1484): Die Chorbücher 14 und 51 des Fondo Cappella Sistina der Biblioteca Apostolica Vaticana (Capella Apostolicae Sixtinaeque Collectanea Acta Monumenta 1) (Città del Vaticano, 1991). |
Bibliography
| Schuetze, George C., 'The Works of Guillaume Faugues' (Ph.D. diss., New York University, 1960). |
Bibliography
| Schuetze, George C., An Introduction to Faugues (Musicological Studies 2) (New York, 1960). |
Bibliography
| Schuetze, George C. (ed.), Guillaume Faugues: Collected Works (New York, 1960). |
Bibliography
| Schuetze, George C. (ed.), Opera Omnia Faugues. Facsimile of the Compositions of Faugues from the Manuscripts (Publications of Mediaeval Musical Manuscripts 7) (New York, 1959). |
Bibliography
| Sherr, R. (ed.), Masses for the Sistine Chapel, Vatican City, Biblioteca Aposotlica Vaticana, Cappella Sistina, MS 14 (Monuments in Renaissance Music 13) (Chicago, 2010). |
Bibliography
| Sherr, R., 'Thoughs on Some of the Masses in Vatican City, Biblioteca Apostolica Vaticana, MS Cappella Sistina 14 and its Concordant Sources (or, Things Bonnie Won't Let Me Publish)', in Uno gentile et subtile ingenio: Studies in Renaissance Music in Honour of Bonnie J. Blackburn) (Turnhout, 2009), 319-33. |
Bibliography
| Sherr, R., Papal Music Manuscripts in the Late Fifteenth and Early Sixteenth Centuries (Renaissance Manuscript Studies 5) (Neuhausen-Stuttgart, 1996). |
Bibliography
| Strohm, R., Music in Late Medieval Bruges (Oxford, 1985). |
Bibliography
| Taruskin, R., 'Antoine Busnoys and the L'Homme armé Tradition', in Journal of the Americal Musicological Society 39 (1986), 255-93. |
Bibliography
| Thomson, J., Les oeuvres complètes de Philippe (?) Caron: Transcription et notes critiques de James Thomson (Brooklyn, NY, 1976). |
Bibliography
| Warmington, F., ‘The Winds of Fortune: A new View of the Provenance and Date of the Vatican Manuscripts Cappella Sistina 14 and 51’, paper read at the Nineteenth Annual Conference on Medieval and Renaissance Music (Oxford, July 1991). |
Bibliography
| Wegman, Rob C., 'Guillaume Faugues and the Anonymous Masses "Au chant de l'alouete" and "Vinnus vina"', in Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis 41/1 (1991), 27-64. |