| Description |
|
Bibliography
| Benthem, Jaap van, 'Einige wiedererkannte Josquin-Chansons im Codex 18746 der Österreichische Nationalbibliothek', inTijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis 22 (1971), 18-42. |
|
Bibliography
| Bernstein, L. F., 'Notes on the Origin of the Parisian Chanson', in The Journal of Musicology 1/3 (1982), 275-326, esp. 310-14. |
|
Bibliography
| Böker-Heil, N., Heckman, H. and Kindermann, I., Das Tenorlied: Mehrstimmige Lieder in deutschen Quellen 1450-1580 (Band 2: Handschiften). Catalogus Musicus (Kassel-Basel-London, 1982), esp. 263-64.
|
|
Bibliography
| Borren, Charles van den, and Casimiri, R., 'A proposito del Codicetto Vat. Lat. 11953', in Note D'Archivio per la Storia Musicale 16 (1939), 17-18. |
|
Bibliography
| Brown, Howard M., 'A "New" Chansonnier of the Early Sixteenth Century in the University Library of Uppsala: A Preliminary Report', in Musica Disciplina 37 (1983), 171-233, esp. 207. |
|
Bibliography
| Casimiri, R., 'Canzoni e Mottetti dei sec. XV-XVI', in Note D'Archivio per la Storia Musicale 14 (1937), 145-60. |
|
Bibliography
| Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1500 (Renaissance Manuscript Studies 1) (Neuhausen-Stuttgart, 1979-88), IV, p. 71. |
|
Bibliography
| Cross, R. (ed.), Matthaeus Pipelare: Opera Omnia (Corpus Mensurabilis Musicae 34) (Neuhausen-Stuttgart, 1966), esp. I, XV-XVI. |
|
Bibliography
| Cross, R., 'The Life and Works of Matthaeus Pipelare', in Musica Disciplina 17 (1963), 97-114. |
|
Bibliography
| Cummings, Anthony M., 'A Florentine Sacred Repertory from the Medici Restoration.' in Acta Musicologica 55 (1983), 267-332. |
|
Bibliography
| Fallows, D., A Catalogue of Polyphonic Songs 1415-1480 (New York, 1999) [with online supplement: http://personalpages.manchester.ac.uk/staff/david.fallows/appendix.pdf]. |
|
Bibliography
| Hewitt, H.M., 'Fors seulement and the Cantus Firmus Technique of the Fifteenth Century', in Essays in Musicology in Honor of Dragan Plamenac on his 70th Birthday (Pittsburgh, 1969), 91-129, esp. 112-13. |
|
Bibliography
| Hewitt, H.M., Ottaviano Petrucci: Canti B Numero Cinquanta Venice, 1502 (Monuments of Renaissance Music 2) (Chicago-London, 1967). |
|
Bibliography
| Hewitt, H.M., Harmonice Musices Odhecaton A: Studies and Documents (Cambridge, Mass., 1942), esp. 132-145.
|
|
Bibliography
| Just, Martin, 'Heinrich Isaacs Motetten in Italienischen Quellen', in Analecta Musicologica 1 (1963), 1-19. |
|
Bibliography
| Just, Martin, 'Studien zu Heinrich Isaacs Motetten' (Ph.D. diss., Eberhard-Karls-Universität Tübingen, 1960). |
|
Bibliography
| Kempson, Emma C., 'The Motets of Henricus Isaac (c.1450-1517): Transmission, Structure and Function' (Ph.D. diss., King's College, London, 1998). |
|
Bibliography
| Lempert, S., 'Studien zu den Chansons und Motetten von Matheus Pipelare' (Ph.D. diss., Universität Hamburg, 2004), esp. p. 80-92. |
|
Bibliography
| Osthoff, H., Josquin Desprez (Tutzing, 1962]. |
|
Bibliography
| Picker, M., 'The Chanson Albums of Marguerite of Austria: Manuscripts 228 and 11239 of the Bibliothèque Royale de Belgique, Bruxelles' (Ph.D. diss., University of California at Berkeley, 1960). |
|
Bibliography
| Picker, M. 'The Chanson Albums of Marguerite of Austria: Manuscripts 228 and 11239 of the Bibliothèque Royale de Belgique, Brussels', in Annales Musicologiques 6 (Neuilly-sur-Seine, 1958-63),145-287. |
|
Bibliography
| Staehelin, Martin, 'Möglichkeiten und praktische Anwendung der Verfasserbestimmung an anonym überlieferten Kompositionen der Josquin-Zeit', in Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis 23 (1973), 79-91. |
manuscripts