Description |
General note
| Scriba: Johannes Parvus e.a. |
Bibliography
| Anderson, Michael A., 'The one who comes after me: John the Baptist, Christian Time, and symbolic techniques', in Journal of the American Musicological Society 66 (2013), 639-708. |
Bibliography
| Boorman, Stanley, Ottaviano Petrucci: A Catalogue Raisonné (Oxford, 2006). |
Bibliography
| Brauner, Mitchell P., 'The Catalogue of Raffaele Panuzzi and the Repertory of the Papal Chapel in the 15th and 16th Centuries', in The Journal of Musicology 8 (1990), 427-43. |
Bibliography
| Brauner, Mitchell P., 'The Parvus Manuscripts: A Study of Vatican Polyphony, ca. 1535 to 1580' (Ph.D. diss., Brandeis University, 1982). |
Bibliography
| Busse Berger, A.M. and Rodin, J. (ed.), The Cambridge History of Fifteenth-Century Music (Cambridge University Press, 2015). |
Bibliography
| Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1500, Neuhausen-Stuttgart, 1979-1988 [Renaissance Manuscript Studies, 1], IV, pp. 56-57. |
Bibliography
| Feininger, L. K. (ed.), 'De Orto's "Missa L'homme armé" from VatS 64', in Monumenta Polyphoniae Liturgicae Sanctae Ecclesiae Romanae, Series 1, vol. 1, fascicle 7 (Rome, 1948). |
Bibliography
| Grafinger, Christina M., 'Die Musikhandschriften des Archivs der Cappella Pontificia und ihre Entlehnung im 19. Jahrundert', in Nuovi annali della Scuola speciale per archivisti e bibliotecari 9 (1995), 45-54. |
Bibliography
| Haar, J., 'Palestrina as Historicist: The Two L'homme armé Masses', in Journal of the Royal Musical Association 121/2 (1996), 191-205. |
Bibliography
| Keil, Klaus, 'Die Texte der Motetten in den Handschriften von Johannes Parvus, Schreiber der Capella Sistina zwischen 1535 und 1580', in Joerg O. Fichte et al (ed.), Zusammenhänge, Einflüsse, Wirkungen. Kongressakten zum ersten Symposium des Mediävistenverbandes in Tübingen, 1984 (Berlin, 1986), 196-210. |
Bibliography
| Llorens Cisteró, José M., Capellae Sixtinae Codices (Città del Vaticano, 1960). |
Bibliography
| Marshall, R., 'The Paraphrase Technique of Palestrina in His Masses Based on Hymns', in Journal of the American Musicological Society 16/3 (1963), 347-72. |
Bibliography
| Miller, Ronald L., 'The Musical Works of Marbriano de Orto: Transcription and Commentary' (Ph.D. diss, Indiana University, 1974). |
Bibliography
| Répertoire International des Sources Musicales (RISM https://rism.info, ID 857000049) |
Bibliography
| Rodin, Jesse, Josquin's Rome: Hearing and Composing in the Sistine Chapel (Oxford, 2012). |
Bibliography
| Rodin, Jesse, 'Unresolved', in Music & Letters 90/4 (2009), 535-54. |
Bibliography
| Rodin, Jesse, 'When in Rome...: What Josquin Learned in the Sistine Chapel', in Journal of the American Musicological Society 61 (2008), 307-72. |
Bibliography
| Schlagel, Stephanie P., 'The Sequential Ostinato in the Music of Josquin and His Circle' (Ph.D. diss, University of North Carolina at Chapel Hill, 1991). |