Description |
Bibliography
| Burkholder, J.P., 'Johannes Martini and the Imitation Mass of the Late Fifteenth Century', in: Journal of the American Musicological Society 38 (1985), pp. 470-523. |
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| Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1500, Neuhausen-Stuttgart, 1979-1988 [Renaissance Manuscript Studies, 1], IV, p. 41. |
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| Dean, Jeffrey J., 'The Far-Reaching Consequences of Basiron's L'homme armé Mass', [unpublished] paper read at the 75th annual meeting of the American Musicological Society, Philadelphia, 12-15 November 2009 (see Abstracts from this conference, <https://cdn.ymaws.com/ams-net.site-ym.com/resource/resmgr/files/abstracts/2009-philadelphia.pdf>, 86-7). |
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| Finscher, L., Loyset Compère: Life and Works (Musicological Studies and Documents 12) (s.l., 1964). |
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| Gore, Glenn L., 'The Works of Philippe Basiron (Philippon?): Transcription and Commentary' (Ph.D. diss., West Virginia University, 1978). |
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| Josephson, Nors S. (ed.), Early Sixteenth-Century Sacred Music from the Papal Chapel (Corpus Mensurabilis Musicae 95) (Neuhausen-Stuttgart, 1982). |
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| Keahey, T. Herman and Douglas, Conrad (ed.), Johannes Prioris: Opera Omnia (Corpus Mensurabilis Musicae 90) (Neuhausen-Stuttgart, 1982-85). |
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| Llorens Cisteró, José M., Capellae Sixtinae Codices (Città del Vaticano, 1960). |
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| Lockwood, L., 'Aspects of the "L'Homme armé" Tradition', in Proceedings of the Royal Musical Association 100 (1973-74), 97-122. |
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| Maas, Chris (ed.), New Obrecht Edition (Utrecht, 1983-99). |
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| Melin, W. (ed.), Johannes Tinctoris: Opera Omnia (Corpus Mensurabilis Musicae 18) (Neuhausen-Stuttgart, 1976). |
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| Miller, Ronald L., 'The Musical Works of Marbriano de Orto: Transcription and Commentary' (Ph.D. diss, Indiana University, 1974). |
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| Noblitt, T., 'Filiation vis-à-vis its Alternatives: Approaches to Textual Criticism', in L. Finscher (ed.), Quellenstudien zur Musik der Renaissance, II, Datierung und Filiation von Musikhandschriften der Josquin-Zeit (Wolfenbütteler Forschungen 26) (Wiesbaden,1983), 111-27. |
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| Osthoff, H., Josquin Desprez (Tutzing, 1962]. |
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| Reynolds, C., 'The Music Chapel at San Pietro in Vaticano in the Later fifteenth Century' (Ph.D. diss., Princeton University, 1982). |
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| Rodin, J., Josquin's Rome: Hearing and Composing in the Sistine Chapel (Oxford, 2012). |
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| Rodin, J., 'When in Rome...: What Josquin Learned in the Sistine Chapel', in Journal of the American Musicological Society 61 (2008), 307-72. |
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| Roth, A., Studien zum frühen Repertoire de Päpstlichen Kapelle unter dem Pontifikat Sixtus' IV. (1471-1484): Die Chorbücher 14 und 51 des Fondo Cappella Sistina der Biblioteca Apostolica Vaticana (Capella Apostolicae Sixtinaeque Collectanea Acta Monumenta 1) (Città del Vaticano, 1991). |
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| Roth, A., 'Zur Datierung der frühen Chorbücher der päpstlichen Kapelle', in L. Finscher (ed.), Quellenstudien zur Musik der Renaissance, II, Datierung und Filiation von Musikhandschriften der Josquin-Zeit (Wolfenbütteler Forschungen 26) (Wiesbaden, 1983), 239-68. |
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| Sherr, R. (ed.), Bertrandi Vaqueras: Opera Omnia (Corpus Mensurabilis Musicae 78) (Neuhausen-Stuttgart, 1978). |
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| Sherr, R., 'The Papal Chapel ca. 1492-1513 and Its Polyphonic Sources' (Ph.D. diss., Princeton University, 1975). |
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| Smijers, A. (ed.), Werken van Josquin des Prez: Motetten (Amsterdam, 1926-64). |
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| Staehelin, Martin, Die Messen Heinrich Isaacs (Publikationen der Schweizerischen Musikforschenden Gesellschaft, Serie II, 28, I-III) (Bern-Stuttgart, 1977). |
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| Stephan, W., Die Burgundisch-Niederländische Motette zur Zeit Ockeghems (ed. Heinrich Besseler, Heidelberger Studien zur Musikwissenschaft 6) (Kassel, 1937, R1973). |
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| Wexler, R. with Plamenac, D. (ed.), Johannes Ockeghem: Collected Works, vol. 3: Motets and Chansons (Boston 1992). |
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| Wexler, R., 'The Complete Works of Johannes Prioris' (Ph.D. diss., New York University, 1974). |
Bibliography
| Zazulia, E., 'Composing in Theory: Busnoys, Tinctoris, and the L'homme armé Tradition', in Journal of the American Musicological Society 71/1 (2018), 1–73. |