| Description |
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Bibliography
| Brawley, John G., 'The Magnificats, Hymns, Motets, and Secular Compositions of Johannes Martini' (Ph.D. diss., Yale University, 1968). |
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Bibliography
| Brown, Howard M., 'In Alamire's Workshop: Notes on Scribal Practice in the Early Sixteenth Century', in L. Finscher (ed.), Quellenstudien zur Musik der Renaissance, II, Datierung und Filiation von Musikhandschriften der Josquin-Zeit (Wiesbaden,1983) (Wolfenbütteler Forschungen 26), 15-63. |
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Bibliography
| Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1500, Neuhausen-Stuttgart, 1979-1988 [Renaissance Manuscript Studies, 1], IV, p. 29. |
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Bibliography
| Dean, Jeffrey J., 'The Scribes of the Sistine Chapel 1501-1527' (Ph.D. diss, University of Chicago, 1984). |
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Bibliography
| Finscher, L., Loyset Compère: Life and Works (Musicological Studies and Documents 12) (s.l., 1964). |
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Bibliography
| Gülke, Peter (ed.), Johannes Pullois: Opera Omnia (Corpus Mensurabilis Musicae 41) (s.l., 1967). |
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Bibliography
| Just, Martin, Der Mensuralkodex Mus. ms. 40021 der Staatsbibliothek Preussischer Kulturbesitz Berlin: Untersuchungen zum Repertoire einer deutschen Quelle des 15. Jahrhunderts (Würzburger Musikhistorische Beitrage 1) (Tutzing, 1975). |
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Bibliography
| Just, Martin, 'Studien zu Heinrich Isaacs Motetten' (Ph.D. diss., Eberhard-Karls-Universität Tübingen, 1960). |
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Bibliography
| Kanazawa, M., 'Polyphonic Music for Vespers in the Fifteenth Century' (Ph.D. diss., Harvard University, 1966). |
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Bibliography
| Kirsch, W., Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts (Tutzing, 1966). |
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Bibliography
| Lerner, Edward R. (ed.), Alexander Agricola: Opera Omnia (Corpus Mensurabilis Musicae 22) (s.l., 1961-70). |
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Bibliography
| Lindenburg, Cornelis W. H. (ed.), Johannes Regis: Opera Omnia (Corpus Mensurabilis Musicae 9) (s. l., 1956). |
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Bibliography
| Llorens Cisteró, José M., Capellae Sixtinae Codices (Città del Vaticano, 1960). |
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Bibliography
| Loach, Donald G., 'Aegidius Tschudi's Songbook (St. Gall MS 463): A Humanistic Document from the Circle of Heinrich Glarean' (Ph.D. diss., University of California at Berkeley, 1969). |
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Bibliography
| Miller, Ronald L., 'The Musical Works of Marbriano de Orto: Transcription and Commentary' (Ph.D. diss, Indiana University, 1974). |
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Bibliography
| Osthoff, H., Josquin Desprez (Tutzing, 1962]. |
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Bibliography
| Planchart, Alejandro E., Guillaume Du Fay: The Life and Works (Cambridge, 2018). |
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Bibliography
| Reynolds, C., 'The Music Chapel at San Pietro in Vaticano in the Later fifteenth Century' (Ph.D. diss., Princeton University, 1982). |
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Bibliography
| Reynolds, C., ‘The Origins of San Pietro b 80 and the Development of a Roman Sacred Repertory’, in Early Music History 1 (1981), 257-304. |
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Bibliography
| Roth, A., Studien zum frühen Repertoire de Päpstlichen Kapelle unter dem Pontifikat Sixtus' IV. (1471-1484): Die Chorbücher 14 und 51 des Fondo Cappella Sistina der Biblioteca Apostolica Vaticana (Capella Apostolicae Sixtinaeque Collectanea Acta Monumenta 1) (Città del Vaticano, 1991). |
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Bibliography
| Répertoire International des Sources Musicales (Rism, https://rism.info, ID 857000004) |
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Bibliography
| Rodin, Jesse, 'When in Rome...: What Josquin Learned in the Sistine Chapel', in Journal of the American Musicological Society 61 (2008), 307-72. |
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Bibliography
| Sherr, Richard, Papal Music Manuscripts in the Late Fifteenth and Early Sixteenth Centuries (Renaissance Manuscript Studies 5) (Neuhausen-Stuttgart, 1996). |
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Bibliography
| Sherr, Richard, 'The Papal Chapel ca. 1492-1513 and Its Polyphonic Sources' (Ph.D. diss., Princeton University, 1975). |
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Bibliography
| Smijers, A. (ed.), Werken van Josquin des Prez: Motetten (Amsterdam, 1926-64). |
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Bibliography
| Ward, Tom R., The Polyphonic Office Hymn from 1400 to 1520: A Descriptive Inventory (Renaissance Manuscript Studies 3) (Neuhausen-Stuttgart, 1979). |
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Bibliography
| Ward, Tom R., 'The Polyphonic Office Hymn from the Late Fourteenth Century Until the Early Sixteenth Century' (Ph.D. diss., University of Pittsburgh, 1969). |
manuscripts