| Description |
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General note
| Seconda metà del XVI secolo, con aggiunte nel 1587-1589 e all'inizio del XVII secolo |
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Bibliography
| Anglès, Higinio, 'Palestrina y los Magnificat de Morales', in Anuario musical 8 (1953), 153-66. |
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Bibliography
| Anglès, Higinio (ed.), Monumentos de la Musica Espanola (Madrid-Barcelona-Rome, 1941-1971). |
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Bibliography
| Brauner, P. Mitchell, 'Music from the Cappella Sistina at the Cappella Giulia', in The Journal of Musicology 3 (1984), 287–311. |
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Bibliography
| Brauner, P. Mitchell, 'The Parvus Manuscripts: A Study of Vatican Polyphony, ca. 1535 to 1580' (Ph.D. diss., Brandeis University, 1982). |
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Bibliography
| Dean, Jeffrey J., 'The Repertory of the Cappella Giulia in the 1560s', in Journal of the American Musicological Society 41 (1988), 465-90. |
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Bibliography
| Della Libera, Luca, 'L'attività musicale nella Basilica di S. Lorenzo in Damaso nel Cinquecento', in Rivista Italiana di Musicologia 32/1 (1997), 25-59. |
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Bibliography
| Ducrot, Ariane, 'Histoire de la Cappella Giulia au XVIe siècle, depuis sa fondation par Jules II (1513) jusqu'à sa restauration par Grégoire XIII (1578)', in Mélanges d'archéologie et d'histoire 75 (1963), 179-240. |
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Bibliography
| Feininger, Laurence K., 'The Music Manuscripts in the Vatican', in Notes 3 (1946), 392-94. |
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Bibliography
| Kirsch, W., Die Quellen der mehrstimmigen Magnificat- und Te Deum-Vertonungen bis zur Mitte des 16. Jahrhunderts (Tutzing, 1966). |
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Bibliography
| Lewis, Mary S., 'Antonio Gardane and His Publications of Sacred Music, 1538-55' (Ph.D. diss., Brandeis University, 1979). |
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Bibliography
| Llorens Cisteró, José M. and Giampaolo Mele, G., 'Iconografie e araldica nel fondo musicale della Cappella Giulia del Vaticano', in Rivista Italiana di Musicologia 21/2 (1986), 236-65. |
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Bibliography
| Llorens Cisteró, José M., Le opere musicali della Cappella Giulia, 1: Manoscritti e edizioni fino al Settecento (Studi e Testi 265) (Città del Vaticano, 1971). |
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Bibliography
| Llorens Cisteró, José M., 'Tres ignoradas antífonas de Giovanni Pierluigi da Palestrina, identificadas en al fondo musical de la Cappella Giulia', in Anuario Musical 23 (1967), 3-17. |
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Bibliography
| Nelson, Bernadette, 'Morales’s Magnificats and Some Anonymous Settings in Portuguese Sources: Questions of Style and Authorship', in Revista Portuguesa de Musicologica 2/2 (2015), 193-214. |
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Bibliography
| Nugent, George E., 'The Jacquet Motets and Their Authors' (Unpublished Ph.D. diss., Princeton University, 1973.) |
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Bibliography
| Odoj, W., 'Some Observations on the VatS 18 and BolC Q19 Settings of the Antiphon Da Pacem: Were They Composed by Costanzo Festa?', in Hudební věda 51 (2014), 115-32. |
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Bibliography
| Rees, Owen and Nelson, Bernadette (ed.), Cristóbal de Morales: Sources, Influences, Reception (Woodbridge, 2007). |
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Bibliography
| Reynolds, C. (ed.), Papal Patronage and the Music of St. Peter's, 1380-1513 (Berkeley, 1995). |
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Bibliography
| Rostirolla, G., Musica e musicisti nella Basilica di San Pietro, Vol. 1: Dalle origini al 1804 (Città del Vaticano, 2014). |
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Bibliography
| Sargent, Joseph M., 'The Polyphonic Magnificat in Renaissance Spain: Style and Context' (Ph.D. diss., Stanford University, 2009). |
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Bibliography
| Smith, James A., 'The 16 Magnificats of Cristobal de Morales: Elements of Style and Performance Practice' (PhD. diss., University of Texas, 1976). |
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Bibliography
| Stevenson, R., 'Reviewed Works', in The Musical Quarterly 38/4 (1962), 529-34. |
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Bibliography
| Stevenson, R., Spanish Cathedral Music in the Golden Age (Berkeley, 1961). |
manuscripts