| Description |
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General note
| Nome del codice: Codex Medici |
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Bibliography
| Atlas, Alan W., MS 27 The Cappella Giulia Chansonnier (Rome, Biblioteca Apostolica Vaticana, C.G.XIII.27) (American Institute of Musicology, 1975-76). |
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Bibliography
| Atlas, Alan W., ‘Heinrich Isaac’s Palle palle: A New Interpretation’, in Analecta Musicologica 11 (1974), 17–25. |
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Bibliography
| Atlas, Alan W., 'Rome, Biblioteca Apostolica Vaticana, Cappella Giulia XIII.27 and the dissemination of the Franco-Netherlandish chanson in Italy, c.1460-c.1530' (Ph.D. diss., New York University, 1971). |
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Bibliography
| Baker, Norman Klein, 'An Unnumbered Manuscript of Polyphony in the Archives of the Cathedral of Segovia: Its Provenance and History' (Unpublished Ph.D. diss., University of Maryland, 1978). |
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Bibliography
| Bernstein, L. and Van Benthem, J., 'Workshop III. The scoring of Josquin's secular music', in Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis 35 1/2 (1985), 67-96. |
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Bibliography
| Blackburn, Bonnie J., 'Two Carnival Songs Unmasked: A Commentary on MS Florence Magl. XIX. 121', in Musica Disciplina 35 (1981), 121-78. |
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Bibliography
| Brown, Howard M. (ed.), A Florentine Chansonnier from the time of Lorenzo the Magnificent: Florence, Biblioteca Nazionale Centrale MS Banco Rari 229 (Chicago, 1983). |
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Bibliography
| Cummings, Anthony M., 'A Florentine Sacred Repertory from the Medici Restoration.' in Acta Musicologica 55 (1983), 267-332. |
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Bibliography
| D'Accone, Frank A., Music in Renaissance Florence: Studies and Documents (Aldershot, 2006). |
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Bibliography
| D'Accone, Frank A., 'Some neglected composers in the Florentine chapels, ca. 1475-1525', in Viator. Medieval and Renaissance Studies 1 (1971), 263-288. |
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Bibliography
| Fenlon, I. (ed.), Music in Medieval and Early Modern Europe: Patronage, Sources and Texts (Cambridge, 1981). |
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Bibliography
| Higgins, Paula (ed.), Antoine Busnoys: Method, Meaning, and Context in Late Medieval Music (Oxford, 1999). |
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Bibliography
| Hudson, Barton, 'Two Ferrarese Masses by Jacob Obrecht', in Journal of Musicology 4/3 (1986), 276-302. |
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Bibliography
| Jeppesen, K., La frottola, 3 vols. (Acta jutlandica 40/2, 41/1, 42/1) (Aarhus-Copenhagen, 1968-70). |
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Bibliography
| Llorens Cisteró, José M., Le opere musicali della Cappella Giulia, 1: Manoscritti e edizioni fino al Settecento (Studi e Testi 265) (Città del Vaticano, 1971). |
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Bibliography
| Mouser, M.J., 'Petrucci and his shadow: a case study of reception history', in Fontes Artis Musicae 51/1 (2004), 19-52. |
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Bibliography
| Plamenac, Dragan, 'On Reading Fifteenth-Century Chanson Texts', in Journal of the American Musicological Society 30/2 (1977), 320-24. |
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Bibliography
| Rifkin, Joshua, 'Ein römisches Messenrepertoire am bayerischen Hof-Bemerkungen zum Wolfenbütteler Chorbuch A Aug. 2° und zu seinem Umkreis', Paper read at colloquium "Formen und Probleme der Überlieferung mehrstimmiger Musik im Zeitalter Josquins Desprez", held at Wolfenbüttel, September 14-17, 1976. |
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Bibliography
| Staehelin, M., Die Messen Heinrich Isaacs (Publikationen der Schweizerischen Musikforschenden Gesellschaft, Serie II, 28, I-III) (Bern-Stuttgart, 1977). |
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Bibliography
| Thompson, Glenda G., 'Archival Accounts of Appenzeller, the Brussels Benedictus', in Revue Belge de Musicologie / Belgisch Tijdschrift voor Muziekwetenschap 32/33 (1978), 51-70. |
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Bibliography
| Wexler, R., 'Newly identified works by Bartolomeo degli Organi in the MS Bologna O 17', in Journal of the American Musicological Society 23/1 (1970), 107-118. |
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Bibliography
| Winn, Mary Beth, 'Some texts for chansons by Loyset Compere', in Musica Disciplina 33 (1979), 43-54. |
manuscripts