| Description |
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Bibliography
| Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1500 (Renaissance Manuscript Studies 1) (Neuhausen-Stuttgart, 1979-88), IV, p. 12-13. |
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Bibliography
| Ceulemans, Anne-Emmanuelle, 'Les Messes L'Homme Armé De Josquin Des Prez', in Musurgia 7 (2000), 29-43. |
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Bibliography
| Duffin Ross W., 'Mi chiamano Mimi ...but my name is Quarti toni: Solmization and Ockeghem's famous Mass', in Early Music 29/2 (2001), 164–85. |
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Bibliography
| Fallows, D., Josquin (Epitome musical 47) (Turnhout, 2009). |
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Bibliography
| Fitch, F., Johannes Ockeghem: Masses and Models (Collection Ricercar 2) (Paris, 1997). |
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Bibliography
| Higgins, Paula (ed.), Antoine Busnoys: Method, Meaning, and Context in Late Medieval Music (Oxford, 1999). |
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Bibliography
| Howard, Daniel Ross, 'Elements of narrative in the masses of Loyset Compère' (Master's thesis, Iowa University, 2010). |
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Bibliography
| Hudson, B. (ed.), Antoine Brumel: Opera Omnia (Corpus Mensurabilis Musicae 5) (Neuhausen-Stuttgart, 1969-72). |
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Bibliography
| Kellman, H. (ed.), The Treasury of Petrus Alamire. Music and Art in Flemish Court Manuscripts 1500-1535 (Ghent-Amsterdam, 1999), esp. no 33, p. 125-29. |
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Bibliography
| Kellman, H., 'The Origins of the Chigi Codex: The Date, Provenance, and Original Ownership of Rome, Biblioteca Vaticana, Chigiana, C. VIII. 234', in Journal of the American Musicological Society 11/1 (1958), 6-19. |
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Bibliography
| Kempster, William G., Pierre de la Rue's Missa Pourquoy non: Consolidating the Case for Re-Evaluation through Motivic Analysis, paper presented at the Pierre de la Rue Conference in Mechelen, Belgium, 2018. (online) |
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Bibliography
| Kempster, William G., 'Pierre de la Rue's "Missa Pourquoy non": A Case for Re-Evaluation', in The Choral Scholar (online journal of the National Collegiate Choral Organisation) 5/2 (2016), 27-44. |
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Bibliography
| Kempson, Emma C., 'The Motets of Henricus Isaac (c.1450-1517): Transmission, Structure and Function' (Ph.D. diss., King's College, London, 1998). |
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Bibliography
| Lindenburg, Cornelis W.H. (ed.), Johannes Regis: Opera Omnia (Corpus Mensurabilis Musicae 9) (s. l., 1956). |
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Bibliography
| Lindmayr-Brandl, A. and Kolb, P. (ed), Gaspar van Weerbeke: New Perspectives on his Life and Music (Turnhout, 2019). |
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Bibliography
| Meconi, H., Pierre de la Rue and Musical Life at the Habsburg-Burgundian Court (Oxford-New York, 2003). |
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Bibliography
| Pavanello, A., 'Stabat mater / Vidi speciosam: Some Considerations on the Origin and Dating of Gaspar Van Weerbeke's Motet in the Chigi Codex', in Tijdschrift Van De Koninklijke Vereniging Voor Nederlandse Muziekgeschiedenis 60 (2010), 3-19. |
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Bibliography
| Rodin, J., Josquin's Rome: Hearing and Composing in the Sistine Chapel (Oxford, 2012). |
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Bibliography
| Saunders, Z., 'Manuscripts in the Age of Print: Production, Function and Destinations of the Alamire Manuscripts', in H. Wijsman (ed.), Books in Transition at the Time of Philip the Fair. Manuscripts and Printed Books in the Late Fifteenth and Early Sixteenth Century Low Countries (Burgundica, XV) (Turnhout, 2010), 181-212. |
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Bibliography
| Winkler, H.-J., 'Studien zu den Tenormotetten von Johannes Regis nebst einer kritischer Edition des Motettencorpus der Handschrift Rom, Biblioteca Apostolica Vaticana, Fondo Chigi C VIII 234' (Ph.D. diss., University of Heidelberg, 1993). |
manuscripts