Description |
Bibliography
| Bannister, Enrico M., Monumenti Vaticani di paleografia musicale latina, Codices e Vaticanis selecti phototypice expressi, 2 vols. (Leipzig, 1913). |
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| Besseler, H., 'Studien zur Musik des Mittelalters: I. Neue Quellen des 14. und beginnenden 15. Jahrhunderts', in Archiv für Musikwissenschaft 7 (1925), 167-252. |
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| Bukofzer, M. (ed.), John Dunstable: Complete Works, rev. Margaret Bent et al. (Musica Britannica 8) (London, 1953, R1970). |
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| Census-Catalogue of Manuscript Sources of Polyphonic Music 1400-1500 (Renaissance Manuscript Studies 1) (Neuhausen-Stuttgart, 1979-88), IV, p. 68. |
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| Clercx, S., Johannes Ciconia, un musicien liégois et son temps. Académie Royale de Belgique, Classe des Beaux-Arts: Mémoires: Collection in-4*, 2° série, vol. X, fasc. 1a/1b., 2 vols. (Brussels, 1960). |
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| Fallows, D., A Catalogue of Polyphonic Songs 1415-1480 (New York, 1999) [with online supplement: http://personalpages.manchester.ac.uk/staff/david.fallows/appendix.pdf]. |
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| Fallows, D., 'Robertus de Anglia and the Oporto Song Collection', in Source Materials and the Interpretation of Music: A Memorial Volume to Thurston Dart (London, 1981), 99-128. |
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| Fischer, Kurt von, Studien zur italienischen Musik des Trecento und frühen Quattrocento (Publikationen der Schweizerischen Musikforschenden Gesellschaft 2/5) (Bern, 1956). |
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| Haar, J., 'The Vatican Manuscript Urb.lat.1411: An Undervalued Source?', in Manoscritti di polifonia nel quattrocento Europeo: atti del Convengo internazionale di studi: Trento, Castello del Buonconsiglio, 18-19 ottobre 2002, a cura di Marco Gozzi (Trento, 2004), 65-91. |
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| Hanen, M.K., The Chansonnier El Escorial IV.a.24: Commentary and Edition, 3 vols. (Musicological Studies 36) (Ottawa-Binnington, 1983). |
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| Jeppesen, K., La frottola, 3 vols. (Acta jutlandica 40/2, 41/1, 42/1) (Aarhus-Copenhagen, 1968-70). |
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| Kanazawa, M. and Pope, I. (ed.), The Musical Manuscript Montecassino 871: A Neapolitan Repertory of Sacred and Secular Music of the Late Fifteenth Century (Oxford, 1978). |
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| Marix, J., Les musiciens de la cour de Bourgogne au XVe siècle (1420-1467): Messes, motets, chansons (Paris, 1937). |
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| Pirotta, N., 'Ricercare e variazioni su "O rosa bella"', in Studi Musicali 1 (1972), 59-77. |
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| Reidemeister, P., Die Chanson-Handschrift 78 C 28 des Berliner Kupferstichkabinetts: Studien zur Form der Chanson im 15. Jahrhundert (Berliner Musikwissenschaftliche Arbeiten 4) (Munich, 1973). |
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| Schavran, H., 'The Manuscript Pavia, Biblioteca Universitaria, Codice Aldini 362: A Study of Song Tradition in Italy Circa 1440-1480' (Ph.D. diss., New York University, 1978). |
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| Wolf, J., Geschichte der Mensural-Notation von 1250-1460 nach den theoretischen und praktischen Quellen, 3 vols., (Leipzig, 1904; repr. Hildesheim, 1965). |